| THE MOLA The word Mola receives
several meanings, so it may be understood as: dress, clothes, a yard of material, a
Knitted fabric or a female blouse made with the combination of material with showy and
varied colors.
Several
scholars of this culture indicate that the Molas appeared when the kunas migrated to the
islands, in the middle of the XIX century: they is to say, when they came in contact with
other people. According to the kuna elders, the Molas originated when, an ancient people
with a tribal organization inhabited the banks of the Disuknu river, and the Divine
Providence sent Ibeorgun, accompanied by his sister Olokikadiryai, to give instructions on
the design and making of the Molas to the inhabitants of the Yco river.
With this
story, the kunas confirm that the molas are an integral part of their cultural
contribution, even though the raw material is western. But they are also convinced that
the Molas did not appear by chance, but were a corporal geometric painting imitation of
their ancestors.
The
Molas are made with materials and threads of different colors, manufactured in Panamá and
in Colombia, where the scissors and needles used for this task are also manufactured. The
making of the Molas is an occupation exclusive of women ,performed by them since childhood
and, when they become adults, are skillful in this task. Even though all of them are great
seamstresses, not all of them achieve the necessary skill to design molas. That is to say,
that there are very small groups of women devoted to design and instruct their sisters
while the majority is in charge of sewing them.
The mola
figures usually are anthropomorphous, zoomorphic or also inspired by foreign elements
recently incorporated, such as aircrafts, flags, etc. The variety is so limitless as the
indian womens perception. The traditional geometric style of the Old molas are
gradually disappearing, and are being replaced with new designs, for commercial purposes.
The prices of the Molas vary according to the artistic quality, the size and orders.
For the
teaching of this activity there is no formal institution. Each home continues it in its
own way. The instructors are the grandmothers, mothers, aunts or some neighbor.
The marking of a
single Mola may last from ten days to months, according to the dedication or the time
required for the complex geometric sketch.
Women usually
make the Molas during their leisure time, at several places: House of local Congress,
where they meet with the Sahilas: at the beach, where they await their husbands that come
from the field; when they await the arrival of relatives coming from the capital, and at
those places where they usually hold the girls puberty rites
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